A. NO ONE
B. MRS. LINDE AND HER CHILDREN
C. NORA’S FATHER AND LITTLE NORA
D. DR. SKEIN AND LITTLE HELMER

A. TORVALD’S PROMOTION TO MANAGER OF THE BANK
B. NORA’S DEAL WITH KROGSTAD
C. KROGSTAD AND CHRISTINE’S MARRIAGE
D. TORVALD AND NORA’S TRIP TO ITALY

A. CONSUMPTION OF THE SPINE
B. FEVER OF THE BRAIN
C. DYSENTERY
D. DISEASED LIVER

A. AS CHILDHOOD FRIENDS
B. AS SISTERS
C. AS MOTHER AND DAUGHTER
D. AS OLD ENEMIES

A. LIGHT
B. MUSIC
C. CUTLERY
D. GLASS FIGURINES

A. NORA’S POTENTIAL FUTURE
B. THE POTENTIAL EMPTINESS OF MOTHERHOOD
C. THE PITFALLS OF MARRYING FOR MONEY
D. MORAL PERFECTION

A. NORA’S ROLE AS PERFORMER FOR TORVALD
B. NORA’S DESIRE TO RETAIN TORVALD’S ATTENTION
C. THE EQUALITY OF NORA AND TORVALD’S MARRIAGE
D. NORA’S DESIRE TO RID HERSELF OF THE POISON THAT HAS DEVELOPED OUT OF HER TRANSACTION WITH KROGSTAD

A. AN UNRAVELING
B. A MORAL
C. A CLIMAX
D. A DISCUSSION

A. RELIGION
B. THE LOVE OF HER CHILDREN
C. HER MARRIAGE
D. HER FATHER’S LOVE